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Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories.
In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.
- Sales Rank: #17673 in Books
- Brand: William Morrow Company
- Published on: 2004-04-13
- Released on: 2004-04-13
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .65" w x 5.31" l, .48 pounds
- Binding: Paperback
- 288 pages
- William Morrow Company
Review
"A superb tutorial for anyone wanting to learn from pros how to polish fiction writing with panache.""--Library Journal"
From the Back Cover
Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories. Renni Browne and Dave King are two of the country's best-known independent editors. In their years as president and senior editor of The Editorial Department, they have edited the work of many writers - including bestselling authors - before the manuscripts went out to agents or publishers. Over half the manuscripts worked on to completion eventually got published, and over half that number were first novels. In this book Browne and King teach you, the writer, how to apply the editing techniques they have developed to your own manuscript, in order to bring your manuscript to its fullest potential. Chapters on dialogue, exposition, interior monologue and other techniques take you through the same processes an expert fiction editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited. Every chapter contains hands-on exercises to help you apply these techniques to your own work. And illustrations by New Yorker cartoonist George Booth keep everything in perspective.
About the Author
Renni Browne, once senior editor for William Morrow and other companies, left mainstream publishing in 1980 to found The Editorial Department, a national book-editing company.
Dave King is a contributing editor at Writer's Digest. He also works as an independent editor in his home in rural Ashfield, Massachusetts.
Most helpful customer reviews
146 of 149 people found the following review helpful.
A Summary By the Authors Themselves...
By Ralph White
This is a verbatim handout in a clinic the authors taught in 1990 in New York. Each item on the following self-editing checklist is a deal-breaker for your blockbuster. Your manuscript likely has many of them. Buy this essential book; understand what the checklist items refer to, and start self-editing.
1) SHOW(ing) AND TELL(ing): As you re-read your work, watch for places where you tell your readers about personality traits, situations, or emotions, rather than showing them through actions and events.
2) DIALOGUE DIRECTIVES: Watch like a hawk for places where you've explained your dialog. Watch for "ly" adverbs and verbs for speech other than "said." And rethink your paragraphing.
3) SEE HOW IT SOUNDS: Read a passage of dialogue, narration, or description aloud and listen for the unconscious changes.
4) EASY BEATS: Beware of including either beats that describe dialogue or so many beats that the dialogue is choppy.
5) INTERIOR MONOLOGUE: As with beats, make sure your interior monologue isn't obtrusive or actually an explanation in disguise. Also, dispense with stage directions whenever possible.
6) SOPHISTICATION: Watch for "as" and "-ing" constructions and change the sentences that don't actually require these constructions.
7) BREAKING UP IS EASY TO DO: Break up lengthy sections of narration or descriptions with frequent paragraphs, or with dialogue, or even with the occasional one or two line paragraph.
8) POINT OF VIEW: Watch for places where you change point of view in the middle of a scene. If the change is necessary, insert a linespace and start a new scene.
9) ONCE IS USUALLY ENOUGH: Look for places in which you've accomplished essentially the same thing twice. Decide which of the two is strongest and cut the weaker phrase, sentence, or entire scene.
10) VOICE: As you read over your work, highlight the passages that please you most. Then highlight the passages that displease you and work to turn the one into the other.
11) PROPORTION: As ou read, ask yourself what interests you the most. Then take a look at what's left and decide whether it's really needed.
12) CHARACTER DESCRIPTIONAND EXPOSITION: Don't describe your characters all at once. Let your readers meet them slowly, naturally.
13) DON'T LET THEM SEE YOU SWEAT: Beware of words like "very" and "rather," strings of adjectives, fancy imagery, overuse of italics, and exclamation points.
14) ELLIPSIS: Check your work for blow-by-blow descriptions and work to condense them.
11 of 12 people found the following review helpful.
Straightforward, easy read with tons of examples. Highly recommended!
By Mom
Best money I've spent on a writing book. While King's On Writing is still my favorite in the genre, that's more memoir and muse than how-to. THIS book takes you from point a (rough draft) to point b (ready to find an agent and/or professional editor). It does assume you've already written your rough first draft, of course, though I don't think it's useless info even if you haven't.
The book is an easy read. Not ponderous nor pretentious. Just straightforward advice filled with real-world examples - from client submissions they've received as editors, to famous works, to gems from their editing workshops. The authors have a clear voice: upbeat, and to-the-point. It's accessible to every writer: from the seasoned and published writer with the English degree, to the brand newbie.
Each chapter closes with a point-by-point review of what's been covered followed by exercises that you can edit yourself (then "check your work" against their answers in the back of the book).
You may not agree with every stylistic choice the authors suggest, but, they are professionals, and if your goal is getting your book published, then this book will certainly bring you closer to that goal.
HIGHLY RECOMMENDED.
4 of 4 people found the following review helpful.
Best book for fixing your novel
By rgartee
If you're a fiction writer then you need this book. It isn't one of those books that tell you how to develop your plot and characters. This is for when you think you're finished, before you submit it to anyone. Two of the top professional editors tell fiction writers straight out what they look for and what they have to change to make a novel publishable. Moreover, they tell the writer how to fix writing problems before they ever get to an editor and how to prevent them in the future. Once you've self-edited your manuscript with guidance of these editors you not only have a better book, but you will have made habits that will improve your fiction writing for your next book as well.
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